About ATW
Photo Gallery
Contact Us
Theatre References
The Wing Blog
WATCH & LISTEN
Working in the Theatre
In The Wings
Downstage Center
Career Guides
Play That Changed My Life
SDCF Masters of the Stage
TBL This Is Broadway
EDUCATION PROGRAMS
SpringboardNYC
Theatre Intern Group
GRANTS & AWARDS
National Theatre Co. Grants
Jonathan Larson® Grants
Hewes Design Awards
Tony Awards®
SUPPORT US
Support ATW
Newsletter
Join Our Email List
null

SDCF Masters of the Stage
Rare insights into the working process of America's most seminal directors and choreographers are the focus of "Masters of the Stage." This series features more than three decades of priceless One-on-One interviews and panel discussions with theatre's most distinguished luminaries. Listen to these never before broadcast programs and hear the story of the American theatre told by those who helped chart its course. The Stage Directors and Choreographers Foundation brings you to this series through the collaborative efforts of the Society of Stage Directors and Choreographers and the American Theatre Wing.

2002 Symposium: Magic To Do: The Writer Director Relationship
Flash is needed to play this media.
Download Audio (mp3)

With:
Gabriel Barre - Director
Susan Birkenhead - Lyricist
Brian Crawley - Book Writer/Lyricist
Greg Kotis - Playwright/Book Writer
Andrew Lippa - Composer
Robert Longbottom - Director/Choreographer
Susan H. Schulman - Director
Scott Schwartz - Director
Jeanine Tesori - Composer
Clifford Lee Johnson III - Moderator

At its 2002 Musical Theatre Symposium, SDCF hosted a panel on the writer-director relationship featuring Urinetown composer/lyricist Greg Kotis, The Wild Party composer Andrew Lippa and director Gabriel Barre, Violet composer Jeanine Tesori, bookwriter/lyricist Brian Crawley and director Susan H. Schulman, Side Show director Robert Longbottom, Jelly's Last Jam lyricist Susan Birkenhead, and tick, tick...BOOM! and Bat Boy director Scott Schwartz, moderated by Manhattan Theatre Club Musical Theatre Program director Clifford Lee Johnson. The panelists discuss the formation of their writer-director relationship on each of these shows: how the initial connection and trust happened, the barriers they had to overcome, and working on an unfinished show with a living writer vs one who has already passed. The conversation is followed by a lively Q&A session about new musical development programs, the director's role in the development of a musical and how to know when a relationship doesn't work. Filled with many humorous stories, this panel offers great insight into this vital relationship as told by some of today's top Broadway talent.

Originally recorded - June 1, 2002
Running Time - 1:25:38



If you enjoyed this episode of SDCF Masters of The Stage you may want to:

Subscribe to podcast Subscribe to our podcasts